Film Review: Under the Sun
Spoiler alert: The North Korean government suffers from a severe transparency deficit.
How do you reveal the reality of a society where government representatives script each scene you're allowed to shoot?
Simple: leave cameras rolling at all times, and show your audience the scripting and retakes of "real life" in all their glory.
You end up not with a documentary about a family going about their lives, but a behind-the-scenes reveal of a family whose dinner-table conversations, workplace interactions, and even expressed emotions are curated by government propagandists for external consumption.
No North Koreans question this process out loud--except to check their lines.In this system everyone knows the role expected of them, especially with government officials overseeing everything. So before our very eyes, we observe the theatrical production of an ideal 'Kimilsungist socialist society', played out by real citizen-actors. And when citizens know the risks of not playing the part they’re asked to play, they become good actors.
This is of course a very real aspect of life in North Korea, even when no cameras are rolling. The everyday ritualised theatrical production of 'obedient citizens willingly striving as one for the socialist cause' is one of the key means by which the state perpetuates itself. Everyone knows what to say, how to say it, and that you have to say it. Whatever your innermost thoughts may be, it's hard to break role publicly when everyone else is sticking so closely to a ‘script’.
Revealing the nature of this production, warts-and-all, is one of the key contributions of Under the Sun.But as with any behind-the-scenes look, cracks in the facade, tired actors and cock-ups are apparent.'Off stage', strategically placed cameras record poor Pyongyang kids scavenging from a trash can. We see commuters disembarking to push a tram. A government 'set manager' shoos away two women approaching the back door of a milk processing plant with a big jug; we can only guess they were looking for an off-the-books top up, unaware there were foreign filmmakers present that day.
We see a forgetful factory worker reporting they have exceeded production targets by 150%, and in the next take 200%. It doesn't matter to any of her coworkers which fiction is used, and no one bats an eyelid.
And of course, children being less practiced in their roles within the system than adults, the best scenes feature North Korean kids. A small girl struggles to keep her eyes open while an aging war veteran wearing far too many medals bumbles through an anti-American propaganda lecture, punctuating tales of shooting down planes with praise for Kim Il-sung.
Jinmi, the star of the film, breaks down in tears when the pressure of performance becomes too much. Elsewhere, on-screen text tells us that she unwittingly revealed her parents' true occupations of journalist and restaurant worker before the government co-producers scripted them as the more socialist-appropriate textile factory technician and soy milk plant worker.
It's hard to not recall The Truman Show, and it boggles the mind to think there are 25 million people living out their lives in this theater state.
But unlike a Hollywood Movie, the enemy here is not represented by a snarling on-screen character. The propagandists are unnamed and we rarely even see their faces properly. The enemy is in fact the system itself, whose quiet tyranny forces every citizen - including the propagandists - to become complicit in its perpetuation by allowing the expression of only a singular narrative of what it is to be a North Korean.
Webcomic: Escape From North Korea
By: Ju Ok Jeon
This webtoon, created by North Korean escapee Ju Ok Jeon, reflects the real risks many North Koreans face when fleeing their home in search of safety, dignity, and the chance to live freely.
About the Artist
Ju Ok Jeon is a North Korean defector who escaped in 2013. Having lived under the Kim Jong Un regime in an oppressed land, she conveys—through webtoons and comics—how precious the values of freedom and dignity truly are, with both sincerity and storytelling power.
Support Ju Ok’s work: @unistudio_juok
From Artist to Activist
As a kid in North Korea, Ju Ok was famous at school for one thing—drawing portraits of people passing gas. Her classmates flocked to her, asking to be drawn in exchange for snacks and even small amounts of money. Nothing made Ju Ok happier than to see people’s faces light up with a big smile, and to laugh together over her creations.
But things came to a halt when a teacher pulled her aside for “disrupting the school environment” with her “unrevolutionary” drawings. Ju Ok’s art supplies were confiscated, and she was warned that her parents could be punished for failing to educate their children.
“I vowed to never draw again because my simple drawings could bring harm to my family. But no matter how hard I studied or worked, opportunities were limited because my family belonged to the labor class. After a relative defected, my social classification [songbun] fell, leaving me destined for a life of forced labor. Realizing there was no hope or future, I decided to escape.”
In freedom, Ju Ok found that there was a lack of public understanding and empathy about North Korean human rights. A few years ago, her husband, who is also an artist, encouraged her to try drawing again.
“After being severely scolded as a child, I hated anything related to drawing. But when my husband told me I have talent, I got chills—thinking, ‘Did I actually used to like this?’
Through illustration, I want to share the reality of North Korea I experienced, my journey toward freedom, and my resettlement in a free society—so the world can hear the voices of those who still long for freedom inside North Korea.”
Ju Ok hopes her art will reach more people and increase support for this issue. In 2025, she participated in the LiNK English Speech Program to hone her storytelling and English speaking abilities.
“The North Korean issue is not only a domestic matter on the Korean Peninsula but also a complex international issue. That is why it is vital to raise awareness globally—and for North Korean defectors to share their stories directly in English. LiNK’s program has played an important role in helping me move toward my life goals.”
Reimagining North Korea’s Future
Liberty in North Korea helps North Koreans reach freedom and reach their full potential through programs that build their capacity to succeed and lead change. With the right support and tools, they’re sharing their stories, utilizing their talents, and building their careers with unwavering purpose—to create a future where every North Korean person can live free and full lives.
Invest in the next generation of North Korean advocates, storytellers, changemakers, and entrepreneurs, like Ju Ok.
