Film Review: Under the Sun
Spoiler alert: The North Korean government suffers from a severe transparency deficit.
How do you reveal the reality of a society where government representatives script each scene you're allowed to shoot?
Simple: leave cameras rolling at all times, and show your audience the scripting and retakes of "real life" in all their glory.
You end up not with a documentary about a family going about their lives, but a behind-the-scenes reveal of a family whose dinner-table conversations, workplace interactions, and even expressed emotions are curated by government propagandists for external consumption.
No North Koreans question this process out loud--except to check their lines.In this system everyone knows the role expected of them, especially with government officials overseeing everything. So before our very eyes, we observe the theatrical production of an ideal 'Kimilsungist socialist society', played out by real citizen-actors. And when citizens know the risks of not playing the part they’re asked to play, they become good actors.
This is of course a very real aspect of life in North Korea, even when no cameras are rolling. The everyday ritualised theatrical production of 'obedient citizens willingly striving as one for the socialist cause' is one of the key means by which the state perpetuates itself. Everyone knows what to say, how to say it, and that you have to say it. Whatever your innermost thoughts may be, it's hard to break role publicly when everyone else is sticking so closely to a ‘script’.
Revealing the nature of this production, warts-and-all, is one of the key contributions of Under the Sun.But as with any behind-the-scenes look, cracks in the facade, tired actors and cock-ups are apparent.'Off stage', strategically placed cameras record poor Pyongyang kids scavenging from a trash can. We see commuters disembarking to push a tram. A government 'set manager' shoos away two women approaching the back door of a milk processing plant with a big jug; we can only guess they were looking for an off-the-books top up, unaware there were foreign filmmakers present that day.
We see a forgetful factory worker reporting they have exceeded production targets by 150%, and in the next take 200%. It doesn't matter to any of her coworkers which fiction is used, and no one bats an eyelid.
And of course, children being less practiced in their roles within the system than adults, the best scenes feature North Korean kids. A small girl struggles to keep her eyes open while an aging war veteran wearing far too many medals bumbles through an anti-American propaganda lecture, punctuating tales of shooting down planes with praise for Kim Il-sung.
Jinmi, the star of the film, breaks down in tears when the pressure of performance becomes too much. Elsewhere, on-screen text tells us that she unwittingly revealed her parents' true occupations of journalist and restaurant worker before the government co-producers scripted them as the more socialist-appropriate textile factory technician and soy milk plant worker.
It's hard to not recall The Truman Show, and it boggles the mind to think there are 25 million people living out their lives in this theater state.
But unlike a Hollywood Movie, the enemy here is not represented by a snarling on-screen character. The propagandists are unnamed and we rarely even see their faces properly. The enemy is in fact the system itself, whose quiet tyranny forces every citizen - including the propagandists - to become complicit in its perpetuation by allowing the expression of only a singular narrative of what it is to be a North Korean.
A North Korean Refugee’s Legacy of Freedom | Holly & Mia’s Story
As a little girl in North Korea, I dreamt of becoming a musician. When I was 6 years old, I saw my school teacher playing the organ. After class one day, I went up and placed my hands on the keys, trying to mimic what she played. When the teacher got back, she asked who touched the organ. All the kids looked at me and I thought I’d get in trouble, but instead of punishing me, she started teaching me how to read music. Eventually, my teacher came to my home and urged my parents to send me to Pyongyang, North Korea’s capital, to pursue music with some of the country’s best musicians.
But my parents knew I could not achieve my dream. My grandfather had been a landowner before the North Korean regime took power. When the Korean War broke out, he had fled to the South, never to be heard from again. The regime didn’t forget my family’s past - to them, we were traitors. Before I was even born, my future had been decided.
I couldn’t attend a university or get a good job. While others studied, I would have to dig for coal and sell it.
One night, I was gathering firewood on a mountain near the South Korean border with another girl. In the distance, I saw a town that was dazzlingly bright in the dark evening. Electricity is a luxury in North Korea, and I soon realized I was looking across the border. I had secretly watched South Korean movies for years. I had seen the delicious food they ate and the amazing places they traveled. I stared at the lights and dreamed of what my life could be.
The dream was too powerful to ignore. I worked every day from sunrise to sunset to save money for my escape.
I gathered rare mushrooms on the slopes of North Korea’s tallest mountain, through the bitter cold. After sixty trips, I had enough money to hire a broker to help me escape into China.
But I trusted the wrong broker.
The broker betrayed us and sold us out. Soldiers were waiting for us at the meeting point and we were dragged from the river to an interrogation cell. The secret police want you to confess that you were trying to defect to South Korea. They beat you with a stick and slam your head against a wall until you just want the pain to stop. But if you confess, you’re sent to a political prison camp to die like an animal.
So I refused to say anything. They kept beating me and screaming at me, but I closed my eyes and held on to my dream of freedom. It was two weeks before they finally sent me to a detention center.
A woman in my cell told me about another broker who could help me escape. But there was a catch - I would have to be sold to a man in China.
I chose the unimaginable. I was sold for less than $3,000.
It is hard for me to talk about this time in my life. The man who bought me kept me in a small bedroom in his house. In one month, I was pregnant. When he found out, he told me to get an abortion. I refused. He tried to drug me and take me to get an abortion while I was unconscious.
One night I felt sick and thought it was food poisoning, but I was in labor and rushed to the hospital. After twenty hours, the doctor had to perform an emergency c-section. The man who bought me complained about the extra expense.
But when I woke up, there was my beautiful baby. I put her on my chest and knew she was my everything. My new dream was to give my daughter Mia a chance to have a better life than me.
I knew we couldn’t stay in China. The man who bought me didn’t want a child, and every day we stayed was another day we could get caught. But I couldn’t take a newborn baby on the dangerous journey. I waited until Mia was one year old, making secret plans with someone who could help us escape - now I know they were part of LiNK’s rescue network.
The day of our escape finally came, and we went to a safe house. I had Mia on my back and a bag full of diapers, clothes, and a small bracelet that was a gift for her. It was everything we had. We met up with other North Koreans, and they were not happy that Mia and I were joining them. I could not blame them. There were stories about groups that were caught because of a crying baby.
Taking care of a one year old is hard enough. Doing so while avoiding the Chinese police was one of the hardest things I have ever done.
I didn’t want Mia to cry so I never put her down, even when my back and arms ached from rocking her. We never stopped for more than a few hours so I had to breastfeed her along the way. Whenever we did have a break, I’d change her diapers, clean her, and make sure she ate enough. By the time I was done, we had to move again. I didn’t have time to eat so I went days with barely any food.
But every mile we traveled brought us closer to our new life. One hot morning, we climbed into a boat and crossed a river. With Mia in my arms, we were met by LiNK’s field team who welcomed us into freedom.
There are two days I will never forget. The day Mia was born and the day I arrived in the United States. I cried so much walking out of the airport. I had no idea what our new life would look like, but we were together and we were finally free.
Now when Mia falls asleep in my arms, all I feel is happiness. My story used to only be about my dreams, but now, I am watching my daughter grow into a fearless and curious person. If I never decided to escape and if I didn’t have LiNK’s help, Mia’s life would be so different. Instead of growing hungry, she has a full stomach. Instead of learning North Korean propaganda, she’s learning about science and animals and the world. Instead of fearing we could be sent to a political prison camp, I just worry she’s growing up too soon.
I believe that one day, every North Korean will be free. And every child will be able to write their own story, like my Mia.
Thanks to Holly’s bravery and the help of LiNK supporters around the world, Mia will never know a life without freedom. Holly will be leaving behind a legacy of freedom for her daughter and for generations to come.
You can help rescue more North Korean refugees and support them as they begin their new lives.
